By on August 17th, 2013


Xu Bing 01 600 px


Xu Bing’s Phoenix is worth seeing with your own eyes.  Mass has been instilled with grace, a legendary Chinese bird carries a message about China today, a playful artwork is dead serious.

It’s installed at Mass MoCA in North Adams, Massachusetts through October 27.  Read more about Xu Bing and see more images in my post here.

Xu Bing 03  600 px

Let’s start with the curves.  In an age when a pile of random bricks or bright-wrapped candies can get displayed as art Xu Bing and his team have labored to refine the details of their two behemoth phoenixes.  They’re made of construction-site rubbish.  If you could stand them on end they’d equal a nine- and a ten-story building.  Yet the fluidity of these fabric plumes convinces you of air currents.  It’s no accident — it’s superb artistry that offers us this lilting vision.

Xu Bing 04 600 px

Same with the metal.  Here curving detritus is made lyrical.  Those grungy arcs: beauty inherent and found.  The white dots you see are LEDs that trace the forms.  If you visit closer to the exhibit’s closing date [October 27] it may be dark enough by Mass MoCA’s closing time that you can appreciate the nocturnal plumage.

Xu Bing 06 630 pxY

More of a curvaceous tail feather

Xu Bing 02 600 px

This last image is an example of the carnival flair in the artwork.  Each attachment to the ceiling has a bright orange pulley and vivid blue-trimmed yellow strap.


I won’t report here on Xu Bing’s other works simultaneously on display.  They’re as varied as cherry pie and loggers’ boots and convinced me of this man’s intelligence and belief in what he does.  This too is something to experience.


if you go:

Other Art

The Clark Institute in Williamstown, MA has Winslow Homer: Making Art, Making History.  In my view no visit to Mass MoCA should pass without a visit to the estimable Clark.  The New York Times and Wall Street Journal both praise the show.   Through September 8.


The Bridle Path, White Mountains, by Winslow Homer

This unfamiliar Homer painting arrested me.  The sunlight limning the palfrey’s legs is delicate, intense, a bravura touch by a phenomenal painter.

Where to stay

I’ve by no means tried all the options around North Adams but when I return I’ll go back to The Porches Inn across the street from Mass MoCA.  All of our party enjoyed it.  I can’t resist adding a shot of the tile artwork on their garage building.  The artist is Mike Glier.  I’d love to see more of his tile work online.  My apologies for the poor images: iPhone, poor light.  The heads of these birds are a glorious blue.

Mike Glier 02 400 px

Mike Glier 01 400 px

Behind The Porches front desk.

Porches front desk  400 px

Eating in North Adams

We had great hamburgers, mussels, quaffs and service at Public eat+drink.

By on July 28th, 2013


A note from your blogger.  I’ve recently become obsessed with trying to lay out some of the abstractions I’ve thought about for years.  Can I make something of them?  Something coherent?  This post was going to be a first whack at that but it isn’t.

This post is about the Chinese artist Xu Bing and his massive Phoenix Project now showing at the Massachusetts Museum of Contemporary Art in North Adams, MA.  And also about the ancillary show being advertised at Harvard’s Sackler Museum.  Which isn’t open.  Except.

Except it turns out, after a Keystone Kops day in Harvard Square, Cambridge, that the ancillary show is at the Arthur M. Sackler Gallery in Washington DC and not at the Arthur M. Sackler Museum in Cambridge.  Access to which sits in a molasses-like gyre of construction, road work and lament.

Live and learn — and duck the cream pies.


Xu Bing: Phoenix | Mantle SELECTS

Head of one Xu Bing’s mighty phoenixes at Mass MoCA.     via Colossal

Drawing inspiration from the contemporary realities of his fast-changing country, Chinese artist Xu Bing spent two years creating his newest work, Phoenix. The installation features two monumental birds fabricated entirely from materials harvested from construction sites in urban China, including demolition debris, steel beams, tools, and remnants of the daily lives of migrant laborers. At once fierce and strangely beautiful, the mythic Phoenixes bear witness to the complex interconnection between labor, history, commercial development, and the rapid accumulation of wealth in today’s China. 

This is the premier appearance of the sculpture outside China (the works were exhibited briefly outdoors at the Today Art Museum in Beijing, and then at Expo10 in Shanghai). At MASS MoCA, the internally illuminated 12-ton birds are suspended mid-air inside the museum’s football field-sized Building 5; dwarfing visitors, the male Phoenix Feng measures 90 feet long, while the female Huang reaches 100 feet in length, beak to (steel) tail feathers.    

Massachusetts Museum of Contemporary Art website

Xu Bing himself says

“We are seeing numerous buildings emerging in China and few people are interested in the deserted construction materials as they are marveling at the majestic buildings,” explained Xu, adding that he was quite shocked when he saw the poor conditions that constructing workers lived in two years ago when he was conducting research for his work.

Xu then came up with the idea of incorporating discarded building materials in his work after visiting several sites. “Through my work I’m trying to make people think more about what happens behind large-scale city construction.”

via jingdaily



Phoenix Project’s powerful midair display in Beijing, hanging from cranes.  Ah, to have seen such elegant behemoths soaring in majesty through the skies.  Perhaps the sculptures rattle in the wind.  The extravagance of this flowing tail aptly evokes mighty mythology — a lesser artist would have cropped the tail midway.

XU6 620 px

via ForestGospel


via ValleyAdvocate

bing-10  620 px

The phoenixes also have LED-lit nighttime personas.         via Colossal


I’ll see Mass MoCA‘s phoenixes in a couple weeks.  They hang inside one of the museum’s signature vast chambers, Building 5.  I regret they will not be hanging in blue sky and will present with meddlesome background noise (windowpanes, beams, people in shorts).   And without enough distance available to take them in as entities in their natural habitat — wide freewheeling space.

I’m hoping that the LED-lit night view will abstract the birds from their background enough and provide them with a semblance of sinuous life.

 Xu Bing: Phoenix | Mantle SELECTS

via Colossal

Xu Bing: Phoenix 2 | Mantle Interior

via Colossal

Xu Bing: Phoenix 2 | Mantle Interior

via Colossal


Does it strike you as odd that related exhibits are mounted 6-7 hours travel apart?  If you’re in the Washington DC area don’t miss Xu Bing’s companion show at the Sackler Gallery on the Mall.  9 Deaths, 2 Births will be on view through September 2 of this year.

Xu Bing Phoenix Unpacking


April 27–September 2, 2013 Sackler

…This complementary exhibition at the Sackler traces the evolution of Phoenix Project. Reimagining an ancient Chinese motif, Xu offers a view of the “new China” and the labor conditions that support its massive commercial and spatial development. While the sculpture itself remains at MASS MoCA, the Sackler exhibition features materials used to plan the work, including drawings, scale models, and reconfigured construction fragments. Also on view are related objects selected by the artist from the Freer and Sackler collections.      

via Smithsonian Institution, Freer/Sackler 



look further

Xu Bing